Arts Platform Ltd and AlpPla, founded by Priscila Chu, create collaborative projects, and educational programs. She has also worked collaboratively with other companies to develop diverse artistic projects. works music writing practice education Education is not separate from the work; it is where the work becomes most alive. For decades, Priscila has made art with and for communities: in schools, with elderly residents, with organizations... The approach is always the same: inquiry first, outcomes second. She creates conditions for genuine encounter, where making something together changes what participants think is possible. She holds a Master of Education (Psychology) from The Chinese University of Hong Kong and is PGDE and IB-trained — a foundation that sharpens how she thinks about learning, not just what she teaches. AFTEC Jockey Club Creative Futures Project 2024- (Education) A multi-level creative learning scheme. Priscila acts as a Lead Creative Practioner in this project. Move with the Silver Flow 2023 - 2025 "Move with the Silver Flow" is a 3-year dace and well-being project organized by Passoverdance. The project fuses dance with four other art disciplines, and Priscila serves as the music artist to the senior community. Compassionate Children Program 2020- (Education) Leading by Priscila Chu, AlpPla is an experiential learning partner of this program initiated by The D.H.Chen Foundation and curated by the School of Everyday Life for primary 1-3 students. On Personal Being and the Wider World 2023 (Artistic Research) Curated by Arts Platform. This tripartite project comprised intensive work considering ways teaching informs artistic output: Teaching As Research; four discussions with five internationally based arts practitioners and scholars about methodologies, creativity, and education in collaborative arts: a Series of Online Dialogues; and the creation of an Original Piece of Collaborative Artwork involving Literature Research, Creative Media and Music. As Flower, As Water, As Mother 2020-2022 (Artistic Research) It was a project involving research, practice, and artistic expression. Priscila was one of the ten research artists for this eighteen months project. Arts Zoom 2021 (Education) Sponsored by Jean CK Ho Family Foundation, Arts Platform facilitated sixty children from St. Bonaventure Catholic Primary School and Ma On Shan St. Joseph's Primary School to participate in an 8 hours online art project during COVID. Closing with an online sharing of their learning with the senior community at Kwong Yum Care Home. Arts Together 2021 (Education) Arts Platform collaborated with the Hong Kong Federation of Women's Centers for a twelve sessions integrated arts program for single-parent children sponsored by RDH. Children experienced different art forms, shared their learning with the elderly at Kwong Yum Care Home, and spectated the Nutcrackers by the Hong Kong Ballet. Project Reborn 2021 (Community) AlpPla collaborated with the Kwong Yum Care Home to serve the elderly with a music program. We implemented private, small group, and big group music sessions. We also shared a Christmas concert/ party, and online music sessions with children, and organized a performance for the participants to share their enjoyment of music. In Search of Voice in a Cramped City 2019-2021 (Education) The 3-year dance education program organized by Passoverdance fused contemporary dance with four other art disciplines, and Priscila serves as the music artist for youth to explore communication. Performing the World Happening(s) 2020 (Conference) Performing the World (PTW) is a biannual conference and a global community of hundreds of “performance activists” from all over the globe who are exploring the power of performance and play to re-imagine and re-create the world. Priscila was one of the speakers in 2020 SmArt Youth 2012-2020 (Education) As the key arts educator for the program, Priscila on behalf of the Absolutely Fabulous Theater Connection Company worked with five primary schools, teaching interns, volunteers, and parents to provide an art-in-education program for P4-6 students. The program included lessons, cultural visits, interviews, and showcases. This program was a star project of Korea Arts and and Culture Education Servies (2012-14)

Arts Practice Experiment 2025-26 Five Artists at Work: How Artists Think, Month by Month (2025-26) This page presents an ongoing, month-by-month experiment in arts practice involving five artists and arts practitioners. Each cycle begins with a shared theme, used as a framework for inquiry rather than a fixed brief. Through observation, interpretation, reflection, and association, each artist responds in their own language—image, movement, sound, or thought. The works gathered here are traces of these explorations, revealing an unfolding practice shaped by different disciplines, sensibilities, and modes of attention. Participating artists: Dick Lai (visual artist), Cally Yip (dance artist), Jess Kong (visual artist), Andrew Fong (art administrator), and Priscila Chu (composer). 本頁記錄一項持續進行、以月份為單位展開的藝術實踐實驗，匯集五位藝術家與藝術工作者。每一個週期皆由一個共同主題作為起點，但此主題並非固定的創作指令，而是一個用以展開探究的框架。透過觀察、詮釋、反思與聯想的過程，每位參與者以其自身的創作語言——影像、身體／動作、聲音或思考——作出回應。 此處所呈現的素材，是這些探索過程的痕跡：片段、命題，以及進行中的創作，顯示藝術實踐如何隨時間逐步展開。這些作品共同呈現出不同學科的思考邏輯、感知方式與注意力模式，同時也突顯「透過創作進行思考」作為一種共享的藝術方法。 參與藝術家： 黎振寧（視覺藝術）葉麗兒（舞蹈藝術）江卓姿（視覺藝術）方鍵恒（藝術行政）朱曉芳（音樂） Shoes - Priscila Chu Nov 2025 Pouring - Dick Lai Dec 2025 Shoes - Dick Lai Nov 2025 Shadow - Priscila Chu March 2026 Shoes - Andrew Fong Nov 2025 Shadow - Dick Lai March 2026 Pouring - Priscila Chu Dec 2025

A practice of inquiry. Art as the way meaning comes into focus.

Womanhood (2023) Dance Theater DEVELOPED BY DUMASTAR Read More click to listen Composer and sound designer: Priscila Chu Choreography by Xie Yin Presented by Hong Kong Dance Company at Studio Theatre, Hong Kong Cultural Centre, Hong Kong, May 2023.

Pseudo Food (2019) Music Theater / Interactive Installation / Animated Video click to watch click to watch Pseudo Food explores the phenomenon of information authenticity and food choice behaviour. The audience experiences sound, spatial design, and food design in a devised theatre setting; moving through three stages with staggered entry, so the experience flows continuously for each participant. Stage One: Audiences receive headphones and encounter an information board mixing truths and hearsay about strawberries. The music and lyrics introduce the theme of making choices amid overwhelming information. Stage Two: Led by an actor, they choose between two menu experiences, Techno Twist or Quaint Delight. Stage Three: A violinist creates a restaurant atmosphere as a drink reveals the truth behind the information. The work sits at the intersection of information overload, sensory experience, and the gap between what we are told and what is true. Pseudo Food is part of the series Pseudo World Concept and Curation: Priscila Chu x Deep Food Food Design: Deep Food Music, Sound and Theatre: Priscila Chu Space Design: Dawn Chan Visual Design: Mandy Lee Vocalists: Lau Pak Hong and Priscila Chu Violin: Eugene Lau 1/12

music writing education practice works Projects across forms — installation, performance, music theatre, collaboration. The full shape of the practice. A series of immersive works that draws contemporary phenomena, close enough to examine, until reality and absurdity become indistinguishable. Pseudo Food (2019) Interactive Theater, Food Design Fixed Media, Violin, Voice Instrumental Cumulus (2024) Visual Art and Dance Atlanta Contemporary Ensemble Falling into Place (2021) Telephone Project (C ollaborative) Piano Reminiscing (2020) Video Toy piano Feeling of the Atmosphere (2019) Contemporary Dance Piano Music Theater Battle I , II (2017, 18) Music Theater Fixed Media, Piano, Live DAW Echo (2015) Music Theater Ensemble Halika Dito (2015 ) Music Theater Kulintang Ensemble, Bassoon, Violin Interactive Theater / Installation Remembering. I. (2021) Interactive Installation Fixed Media Dance Theater Its Time to Dance (2025) Dance Theater Performance May I (2022) Contemporary Dance Fixed Media The Law of Linkage (2023) Contemporary Dance Theater Fixed Media Ringing (2022) Contemporary Dance Fixed Media Orbit (2023) Contemporary Dance Theater Fixed Media, Piano 10gether (2019) Contemporary Dance Fixed Media, Piano Womanhood (2023) Dance Theater Fixed Media Flight Mode (2018) Site-specific Dance Fixed Media, Live DAW Visual/ Video A Dash (2025) Visual/ Music Fixed Media 2Short (2016) Photo story Fixed Media After 23 (2024) Music and Video DnAesthetics Whiskered Pitta (2015) Interactive Installation Fixed Media, Voice Transformation (2023) Animation and Text Fixed Media Landscape Collection (2022) E xhibition Here and There: Re-imagining Hong Kong Landscapes Fixed Media In development A series that puts artistic intelligence in conversation with the digital drift, one place at a time, until both settle into place. Precisely Otherwise is a three-movement immersive work made for a specific city each time. The first movement watches how the city accelerates. The second movement sits inside what remains slow, a tradition, a ritual, a form of attention not yet optimized away. The third asks what digital efficiency might do with that slowness: not replace it, not preserve it, but think alongside it. Each edition belongs to its place. The series is currently being proposed to contexts in Japan, Taiwan, and China. Development correspondence is welcome via the Collaborate page.

It's Time to Dance (2025) Dance Theater 1/10 Choreography by Andy Wong Performed by DancingAndy & Dancers, and Priscila Chu Presented by Leisure and Cultural Services Department (LCSD) as part of International Arts Carnival, Hong Kong, 2025. Photos by kz_visuals

10gether (2019) Electroacoustic, Piano Summon and Adaptation from production 10gether Choreography by Pewan Chow Music by Priscila Chu Presented by Passoverdance at Black Box Theatre, Kwai Tsing Theatre, Supported by Hong Kong Arts Development Council and Leisure and Cultural Services Department. DEVELOPED BY DUMASTAR click to listen

A Dash (2024) Fixed Media/ Visual Click to Watch A Dash is a visual and musical experiment that explores the relationship between image and sound as coequal compositional languages. Created for the Singletary Center Visual Music Festival in the US, the work investigates how visual rhythm and musical structure can be composed together — each shaping and inflecting the other, rather than one serving the other. A Dash (2024) Featured at Visual Music Festival, Singletary Center for the Arts, University of Kentucky, Lexington, US, 2025.

Thinking of you/ Whiskered Pitta (2015) Fixed Media click to watch On Sundays, city parks become gathering spaces for domestic helpers—visible for a moment, yet often unseen in society. This collaboration by Priscila Chu and Man-chun asks: who are they, and what stories do they hold? Through conversations, fragments of lived experiences surfaced, often shared with hesitation. Rather than revealing identities, the artists translate these stories into sound and image. Priscila’s composition draws on the whiskered pitta—a rare, elusive bird from the Philippines—as an analogy. Layering bird-like sonic textures with traces of the helpers’ present environments in Hong Kong, the work moves between concealment and expression. Man-chun’s abstract visuals mirror these dual realities of presence and invisibility. Presented as a performance, the work pays tribute to those who sustain everyday life yet remain overlooked—inviting audiences to listen more closely to what is heard, and what remains just beyond reach. Music and concept by Priscila Chu Painting by Kwong Man-chun Poem and exhibition curation by Vivian Ting Dance performed by Imelda Cheng Video edited by Adrian Mak Presented by Oi! (LCSD), North Point, Hong Kong, as part of Let's Art, 2015. "A fusion of sight and sound... original music compositions and a poem that describes their experience of leaving their homes for Hong Kong ." — South China Morning Post, 2015. 2015-07-24 let's art 007 Describe your image 1/5

Reminiscing (2020) Toy Piano, Fixed Media DEVELOPED BY DUMASTAR

Landscape (2022) Fixed Media The Rhythm of Undercurrent Fiona Wong Kowloon Mountain Ranges Wong Chun Hei Opening my heart Lam Tung Pang The Rhythm of Undercurrent Fiona Wong 1/6 click to listen DEVELOPED BY DUMASTAR Six fixed-media compositions, each a creative response to a visual artwork in the exhibition — designed to be heard while standing before the piece that inspired it. Working from the artists' research materials, process documentation, and finished works, Priscila composed responses that move between different entry points — paint style and humour in Pandora, layered colour and image-building in Glaze, material and method in Current, brushstroke and atmosphere in Cumulus, form and physical material in Aglow, and concept and content in 2022. The result is a sonic exhibition running alongside the visual one — six ways of listening to Hong Kong landscape. Pandora is a response to Joey Leung's Victoria Is in a Bad Mood Glaze is a response to Wong Chun Hei's Kowloon Mountain Ranges Current is a response to Fiona Wong's The Rhythm of Undercurrent Cumulus is a response to Koon Wai Bong's From Here to Timbuktu Aglow is a response to Ho Yuen Long's All Beings of Sprouts 2022 is a response to Lam Tung Pang's Opening my heart (This excerpt is a remixed version) Exhibition curated by Vivian Ting Music by Priscila Chu Presented by Hong Kong Arts Centre as part of Here and There: Re-imagining Hong Kong Landscapes, Hong Kong, 2022.