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works

Projects across forms — installation, performance, music theatre, collaboration. The full shape of the practice.

A series of immersive works that draws contemporary phenomena, close enough to examine, until reality and absurdity become indistinguishable.

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Pseudo Food (2019)

Interactive Theater, Food Design

Fixed Media, Violin, Voice

Instrumental

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Cumulus (2024)

Visual Art and Dance

Atlanta Contemporary Ensemble

 

 

 

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Falling into Place (2021)

Telephone Project (Collaborative) 

Piano

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Reminiscing (2020)

Video

Toy piano

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Feeling of the Atmosphere (2019)

Contemporary Dance

Piano

Music Theater

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Battle I , II (2017, 18)

Music Theater 

Fixed Media, Piano, Live DAW

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Echo (2015)

Music Theater 

Ensemble

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Halika Dito (2015)

Music Theater

Kulintang Ensemble, Bassoon, Violin

Interactive Theater / Installation

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Remembering. I. (2021)

Interactive Installation 

Fixed Media

Dance Theater

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Its Time to Dance (2025)

Dance Theater 

Performance

 

 

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May I  (2022)

Contemporary Dance

Fixed Media

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The Law of Linkage (2023)

Contemporary Dance Theater

Fixed Media

 

 

 

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Ringing (2022)

Contemporary Dance

Fixed Media

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Orbit (2023)

Contemporary Dance Theater

Fixed Media, Piano

 

 

 

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10gether (2019)

Contemporary Dance

Fixed Media, Piano

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Womanhood (2023)

Dance Theater

Fixed Media

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Flight Mode (2018)

Site-specific Dance

Fixed Media, Live DAW

Visual/ Video

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A Dash (2025)

Visual/ Music

Fixed Media

 

 

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2Short (2016)

Photo story 

Fixed Media

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After 23 (2024)

Music and Video 

DnAesthetics 

 

 

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Whiskered Pitta (2015)

Interactive Installation 

Fixed Media, Voice

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Transformation (2023)

Animation and Text 

Fixed Media

 

 

 

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Landscape Collection (2022)

Exhibition Here and There:       Re-imagining Hong Kong Landscapes

Fixed Media

In development

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A series that puts artistic intelligence in conversation with the digital drift, one place at a time, until both settle into place.

Precisely Otherwise is a three-movement immersive work made for a specific city each time.  

The first movement watches how the city accelerates.

The second movement sits inside what remains slow, a tradition, a ritual, a form of attention not yet optimized away.

The third asks what digital efficiency might do with that slowness: not replace it, not preserve it, but think alongside it.

Each edition belongs to its place. The series is currently being proposed to contexts in Japan, Taiwan, and China.

Development correspondence is welcome via the Collaborate page.

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